New Song I Wrote This Week: ‘Far Away From the City’

Here is a song I wrote this week called, ‘Far Away From the City.’  ~~ Chad

Click here to listen!

Far Away From the City
by Chad Shank

Dragonflies over the river
The air is filled with cotton from the cotton wood trees
We got our fishin poles and a cooler
And we’re sneakin through the heat and shoulder high weeds

Then you say
It’s up here
The place you like to spend all day
Down this dirt path
Its heaven
Where you and I can escape

Chorus:
We’ll drink some beers
And we’ll catch some fish
Let the time slip by
While we check for ticks
Toes in the water
You here with me
Far Away From the City

The night will come and we’ll build a campfire
And I’ll wrap my arms around you, put your head on my chest
Then once the stars are out around midnight
We’ll do some skinny dippin then we’ll head off to bed

With you
In moonlight
Our shadows dancing on the shore
We kiss
And my heart
Hopes tomorrow we can do this some more

CHORUS

Bridge:
Where there’s no high rises blocking our view
Just the river
And the good life
Population me and you

©2012 Chad Shank

10 Hit Song Traits You Should Start Using in Your Songwriting Now!

If you are a songwriter that is trying to write for the commercial market, there are some qualities or traits that your songs should have. I know some of you do not want to write with ‘formulas’ but there really is a reason this stuff works. It is not so much a formula, but more of a framework. So next time you write a song, try to incorporate these things into your tune….

1. The Verses should have the same melody, different lyrics – Too many writers don’t take the time to match their verses melodically. This is not boring to the listener, in fact it helps them connect with the song.

2. Your Choruses should have the same melody and same lyrics – Many writers try to be ‘creative’ and change up the lyrics in the choruses. This only confuses the listener, they want to know the words and sing along every time the chorus comes around

3. Your verse melody should be lower than your chorus. – Song energy should build as the song progresses. Start your verses as the floor and work up into the chorus

4. The Verses should have more descriptive and imagery words – Your first verse should help establish the Who, When and Where of your song. The second verse should expand the story

5. Your Chorus should contain the Emotional words – Your chorus is the Why of the song. Here is where you explain the emotions behind the ideas or situations you describe in your verses. It puts both the emotion and concrete details into context.

6. The Bridge is the highest energy part of your song. – As mentioned above, your song should build energy as it progresses, so make sure your bridge is a high energy part of the song

7. The Bridge should be different than the verses and choruses – Build in contrast between the other sections. The bridge is the ‘What happens next’, ‘Where do we go from here’ part of the song

8. Contrast your note lengths between sections – Contrast is very important between song sections. If you have long notes in the verse, try shorter notes in your chorus, or vice versa. If you get stuck on what to do in the next section, look at what you have already done and do the opposite. Listeners like contrast, it keeps them listening.

9. Don’t get too creative with your chord progressions. – People like to listen to things that are 80% familiar and 20% original. By all means if it sounds cool, do it, but there is a reason that many common chord progressions are used over and over. They work! Feel free to take chord progressions from songs you love. You can’t copyright chord progressions….Just make sure your words and melody aren’t ripped off. This is a great way to expand your musical vocabulary and start some sweet songs.

10. Prosody – Does what your lyrics are saying match what is happening in the music?

I hope these 10 things give you a little kickstart on your next song. Let me know if you have questions or comments below….

~ Chad

How You Can Stand Out in Today’s Music World

The music industry is in a very weird state right now. The power and money has shifted. The days of major record labels controlling what we hear and see are now gone. So are the days of selling physical music products like cassettes and CD’s….or records. This post is not about how the industry has changed, but we all know that it has. Everyone….EVERYONE, majors and indies are trying to find their footing on slippery roads. We all have access to sites like Facebook and Youtube…

In the past only artists with big budgets or recording deals could record commercially viable projects. The amount of music that made it to listeners and consumers was much smaller than today. Gone are the days of having to drop $20,000 to just record an album.  We are in a time where technology literally allows anyone with a computer to record and distribute music to a worldwide audience. This is a huge BLESSING and CURSE. The good news is that anyone can now record and distribute music. The bad news is that anyone can record and distribute music. The market is now flooded. Thousands, if not millions of new songs are out there at any given time. Everyone and their mother are releasing songs and videos now. How do YOU stand out from every other home studio warrior out there? The big answer, to me, is YOU HAVE TO HAVE KICK ASS SONGS!

If your songs are not at the level or better than what the pros are putting out, you will get lost in the sea of so-so songwriters. So you have to study the craft of songwriting. You have to study hit songs. You have to learn how to write like that. Most artists and songwriters think they can just write whatever comes out. They do not think they need to craft their writing. They do need to craft it, they need to make sure they can compete with the best of the best. Song craft is more than drum loops and production libraries. The song is the lyrics, melody and harmony.

So YOU as writers need to write the best damn songs you possibly can. You need to out write the competition. You need to study like most other writers do not. What do you study? Hit songs. Study their lyrics, melody, harmony, production, rhyme schemes, note ranges, topics, tempos, everything. I think if you work your ass off, you will start to stand out from the other millions of writers that happen to have Garage Band. Singers are a dime a dozen. Songwiters are even cheaper. You need to make yourself more valuable. You have to write awesome songs to stand out in today’s music world. Great songs get attention, and they last forever. If you don’t have great songs, people won’t really care.

So why not sign up to follow this blog. I don’t have all the answers, but I will help you get songwriting tips and inspiration. Hell, email me if you want your songs critiqued or if you are interested in songwriting lessons. I can help you get some direction in your writing, so you start cranking out hits and getting more downloads.

~ Chad

Get a Song Critique BEFORE you demo your song

If you are a songwriter that hires others to produce your demos, please do yourself a favor and get your song critiqued before you spend money on the demo.  You will want to get unbiased opinions about your song, so you don’t waste time and money recording something that isn’t as good as it could be.

I offer a song critique service and I give very open and honest opinions based on solid songwriting concepts. I can help you get that extra edge in your songs by finding out what is working and what is not working. Can the truth hurt? Yes. Do I tell you what you want to hear? Well, Yes, if you want a real critique, but I won’t say it’s working if it’s not. I will be up front and constructive, if it is not working, I will tell you why and what you might be able to do to fix it. Also….I am just one person, and my critiques are my opinions. If you agree, fine….If you disagree, that is OK too. I do not have all the answers, but at least I will give you unbiased reviews. Your friends and family probably won’t.  My fee for this is just $20 per song. Twenty bucks is nothing compared to spending a few hundred on a half-ass demo.  Email me if you have a song you want me to critique.

~ Chad

My Little Songwriting Fetish

One of the most nifty and handy little things I carry around, and sort of have a fetish for are tiny little  notebooks! They are perfect for Titles and Song ideas. I take them with me to work, and have them all over in my apartment. you can get them at almost any store that sells office supplies. If you are a songwriter, you really should get some of these little buggers. You never want to be caught without a way to write down your ideas. You may think that you will remember them, but you won’t.

A Great Example of Prosody in Songwriting – Rocket by The Wanted

You will hear me talk alot about making sure your songs have contrast and prosody. Those are probably the most important things you should aim for in your songwriting. Sometimes perfect examples of prosody just stand out to me. What is prosody? Prosody is basically when the lyrical content matches what is happening in the music. It is when what is being said matches how it is being said and performed. When words and music are saying the same thing.

I found an awesome example that I wanted to share. It is in a song by Diane Warren that is performed by the UK Boyband, The Wanted. The song is called, ‘Rocket.’  Prosody really shines in this song. Listen to the song and around :40 in the melody and words are a great example of prosody.  The lyric says, “I want to fly,” and the melody goes up and soars there. Prosody. Then when it says, “I’m not coming down,” the melody comes back down a bit. Again, prosody.

Listen to the song and see if you spot any other places the lyric and melody/music connect. Diane Warren did a great job on this song. You can make your songs better by learning how to use prosody and contrast effectively.

‘Rocket’ written by Diane Warren. Performed by The Wanted:

A New Song I Wrote: ‘Night Like This’

Last weekend I wrote a song called, ‘Night Like This.’  It started out as a destination writing about being up on a roof in the city.  It ended up being a kind of fun pop song, I think.  Give it a listen!

Click to listen to an MP3 of  Night Like This

NIGHT LIKE THIS

by Chad Shank                                                              

On the roof listening to traffic
We’re barefoot with our backs on the chimney
Warm city night in the Summer
Holding hands and Kissing
We’re falling in love

PC:
Under a backdrop of a purple sky

Chorus:
I love a Night Like This when
When Time Stands Still
I crave each special moment
I’m Alone with You
Talking and laughing
It’s like a gift
Oh You and I
Deserve a Night Like This

V2:
Times like now I start crossing my fingers
Make a wish for a repeat performance
Do you feel the same thing that I do
I’m gonna keep asking
Can we do it again

PC
In the glow of these city lights

CHORUS

Bridge:
I watch the lights in
Your eyes and I know
Why I’ve been waiting for someone like you

CHORUS

Copyright 2012 Chad Shank. All rights reserved.

Janice Gilbert a Nashville Songwriter Talks about Songwriting in the Music City

Reblogged from C-Sharp Productions: Independent Music Blog:

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When I lived in South Dakota, I sponsored a contest that allowed the winner to record a CD single with C-Sharp Productions. The artists and I cowrote songs and released them. One of the winners was a singer-songwriter named Janice Gilbert. Her energy, attitude and talent set her apart from all of the other contestants. We had a blast working on her project and she went on to sell over 500 copies of her CD single!

Read more… 2,112 more words

Last year I interviewed my friend and fellow songwriter, Janice Gilbert. I am super excited to be headed to Nashville this weekend to hang out and write with her!!

Songwriting Expert Gary Ewer Interview

Reblogged from C-Sharp Productions: Independent Music Blog:

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If you have not checked out Gary Ewer's songwriting blog, you NEED to. Seriously, this blog will change your songwriting life. Are you struggling with writers block? Need some inspiration? Have songs that are lacking something? Gary is a songwriter and educator and writes very useful and inspiring blog posts. I have been inspired and impressed on a daily basis.

Read more… 2,232 more words

Gary Ewer has an awesome songwriting blog. I got to interview him back in June. Check it out.

Maybe It’s Not Your Recording, Maybe It’s Your Song

Here is a little story that gets replayed over and over again in the songwriting world:

A songwriter writes a song that they think is the next big thing. It would for sure be a hit, and some artist or publisher would be stupid to pass on it. So they get a little digital recording rig and cut a nice little rough demo at home. The recording sounds good, not alot of effects, but OK. Then they play it for some people and those people say, “It’s Ok. Not bad.”

Then the songwriter scrounges up some money and goes to a mid sized studio in their neighborhood. They add a few more bells and whistles. People say, “Eh, It’s Ok. Not bad.”

So now the songwriter books studio time at the most expensive studio in Nashville. Hires the best musicians around and cuts another demo for the song. This time for sure this song is going to really make it. How could it NOT!? So they get the nice shiny mix back and the quality sounds just like anything on the radio….maybe better. So they play it for people and they say, “It’s OK. Not bad. Not too bad.”

WHAT!? How can this be? There is no possible way to make the recording any better. Why aren’t they going nuts for this song?! There in lies the problem….It is not the recording that people aren’t flipping out over….it’s the song.  Don’t make this mistake. Make sure you write great songs that get the point across and make people flip out no matter what they are recorded on.