Traits of Really Good Songwriters

Today I was driving down 494 near Bloomington, MN and I was thinking about some of the best songwriters I know. I was thinking about what it is about them that makes them REALLY good songwriters. There are a few traits that kept popping up no matter who I thought about. So I thought I would blog about it :)

Here are the traits that I think make a great songwriter….

1. They write alot. – They don’t let their inner critic take over. They just write, then refine.

2. They ‘Steal’ from their influences – You can’t copyright a chord progession, and some grooves just work….Many writers I know, can take something they love, learn it, steal it and make it their own. (This doesn’t mean completely rip someone off)

3. They listen to alot of music.

4. They are not afraid to try new things, experiment

5. They keep a songwriting idea book with them at all times.

6. They practice their instruments alot.

7. They study the craft. – This means listening, analyzing, reading, and really getting into what makes songs work.

8. They do it because they love it, not because they want to make money – - Money comes after they get great.

9. They support other writers

10. They write alot…and they finish songs, even if they aren’t that great.

What do you think makes a songwriter great?

~ Chad

 

The Missing Songwriter: Where have I been?

Life gets crazy sometimes and certain things kinda fall to the side. That is what happened with me. I wanted to apologize to my regular readers for not posting new songwriting tips, ideas and tricks for a couple months. Life has been crazy. So where the heck was I?
I got a new day job that is pretty intense, and the learning curve is steep. It is in a completely different industry than I have ever worked. At the end of the day, my mind is fried. I pretty much crash and veg every night. So that means no songwriting, no blog posts, and not a lot of interaction with all of you. I am sorry about that.

Things are looking up! I have just scheduled a 3 part songwriting class in Hastings, MN in January! I am also getting bitten by the songwriting bug again! I haven’t written for 2 months, almost 3. I think I may be a bit rusty. I know that some of you have been in this boat before. I have gotten emails from people saying they don’t have time to write. I usually preach that you have to make time to write….which is true….but sometimes you can only do so much, and writing isn’t on the list. So now I have to get back up on the horse and start riding this thing again. I will try to chronicle my latest songs and processes on this site, so you can maybe get some kind of inspiration or new trick.

How have you pulled yourself out of a songwriting rut? I’d love to hear from you…

~ ChadChad Shank Songwriter

Interview with Songwriter Gordie Sampson – Cool Advice

I found this awesome interview from a Canadian broadcaster. It is an interview with songwriter Gordie Sampson. Gordie co-wrote the song, “Jesus Take the Wheel,” and lots of other great songs, and hits. He gives some very insightful answers to the questions. If you are a songwriter. This is a great look into the world of a hit writer.

One of the sections I LOVED was….

“The key, he said, is making sure the words are general enough so that anyone listening can relate. So if a country crooner warbles a tune about a “her,” Sampson says the lyric should work whether the listener thinks the pronoun refers to his wife, his mother or his dog.”

READ THE WHOLE INTERVIEW

Weekly Songwriting Exercise – Week of 6-18-12: Melody First – C Dorian Mode

Minneapolis Recording Studio

I had fun giving myself a songwriting assignment last week. It kind of forced me to write a new song that I may not have written. As I have said before in previous posts, my internal songwriter is very lazy. Weekly assignments are one way I can kick its ass. :)

This week my assignment is a bit less involved than last week.  So here it is….My new assignment due by next Sunday :) :

Write a song MELODY FIRST in the C DORIAN MODE.

The C Dorian scale includes the notes: C, D, Eb, F, G, A, Bb, C   – - So that is the scale I am going to base this week’s song on. I have no clue what the song is going to be about, but I have to come up with the melody first, which is not super easy for me. I will probably play a melody on the keyboard and record it and listen to it over and over. It should inspire something. Stay tuned for the song that results this week! If you write your own song, feel free to post it too!  ~~ Chad

Songwriting Exercise: Restaurant Writing – finding ideas

I have not tried this exercise, yet. I sort of did it in an airport once where I started writing and describing people around me and what they looked like and were doing, but this is a little bit different….

The songwriting exercise I just heard is something you could do at work, restaurant, coffee shop….anywhere people are talking.  Basically what you do is take 5 to 10 minutes and write down every single conversation you hear. Write down words, phrases, sayings, jokes, sentences…..transcribe the conversation of someone near you. Then scan it for lyrical ideas. Maybe there are titles…..concepts…..lines…..you never know.  The key is to think like a songwriter no matter where you are. Practice looking for song material in everyday things and life.

I haven’t tried this particular one….yet…..but I will! Have you done this? Have any other ideas or tips?

~~ Chad

Are you a Song ‘Student’ or Song ‘Writer?’ – I think you should be both.

This past week someone said something that really got my gears turning. They said, “At some point you need to stop studying songwriting and just write.”  Wow. Guilty as charged in a number of ways. This hit me and I had one of those A-HA moments that Oprah always talks about.

I fully believe that studying songwriting is not bad. There are a ton of techniques, theories and tendencies that can be studied and learned. I would associate it with an architect learning about building frames, plumbing and substructures. In songwriting it can help immensely to know the inner workings. Know the structure and why things work. There are many traits of songs that have been blasted into our minds since the day we were born. Not so much formulas, but trends and patterns that click with our brains. Patterns that we associate with great songs. Can you get this from just listening? Yes. But I think you need to dissect and study to really get a good grasp on the inner workings. Know the rules of the songwriting ‘nature’ and why they equate with emotions and communication.

Learning the theory is great….but it only gets you so far.  If you do not practice the theories, you will never get better and really break through and write great songs.  You have to apply the knowledge that you pick up from studying. You have to be a student, and then writer. Student, then writer. Writer, then student. You have to be willing to take a concept and apply it, experiment with it, flip it upside down, backwards, forwards and inside out. Make it your own, AND play it liek someone else. Think about the day at Reese’s when someone said, “What if we put peanut butter inside choclate?”  I bet they started doing testing and seeing what worked, until they made one of my favorite candies….Reese’s Peanut Butter Cups. YUM.

Think of your songwriting like a scientist thinks of his work. Many times a scientist will use another scientists theories, and try to duplicate them in the lab…..THEN they try to play with the theory to see if it stands up….and sometimes they discover something completely new.  This can happen in your songwriting. I know some of you purists and artsy fartsy types try to never use formulas or things that have been done….but you should try. You can’t effectively break the rules, if you don’t know the rules. Note – There are NO RULES in songwriting, just tools.

So my challenge to you, is to study like a maniac every songwriting book, website, video, theory, or whatever….BUT after you study, make sure that you are using the theory to WRITE. It doesn’t matter if it sucks, it is just an experiment meant to help you expand your war chest.  Try things you have not tried. I am sure that you will be pleasantly surprised to what may come out. And each new thing you try plants new seeds in your mind and makes neuro connections that can come in handy down the road.

So are you a song student, or song writer?  I hope you are both….but you should probably do more writing. Right?

~~ Chad

Songwriting Q&A with Songwriter Bonnie Baker

I am super excited that I recently got to ask some questions of a great songwriter that has written some of my favorite songs. As you may have guessed, I love songwriting and love learning about how other writers hone their craft and create songs.  This past week, I got to interview Bonnie Baker. I was first consciously introduced to Bonnie’s work with the songs she co-wrote with Hunter Hayes and Katrina Elam…one song is ‘Play’ and it was recorded by Rascal Flatts.  The other song is ‘Love Makes Me,’ Hunter cut it on his CD. After I did some research, I realized that Bonnie has written a lot of songs that I really dig.  After a few emails back and forth, I started to really see that Bonnie is a true songwriter. As you will see in her answers to my questions, she loves what she does, and she has been successful….and she has worked her butt off. All for the love of it….And the best part is that she is giving us a look into her process, in hopes of helping us grow as writers.

Songwriter Bonnie Baker

Bonnie has been a staff writer and she recently branched off on her own and started her own publishing company called, DevaN Publishing. I am sure you recognize some of her work….Just a partial discography includes:

‘Play’ – cut by Rascal Flatts

‘Love Make Me’ – Hunter Hayes

‘Rainy Season’ – Hunter Hayes

‘I Will’ – Billy Ray Cyrus

‘Ordinary Life’ – Chad Brock

‘Before Me and You’ – SheDaisy

‘Love Is’ – Katrina Elam

‘My Sister’ – Reba McEntire

There are many more songs she has written and co-written for artists like Chely Wright, Sara Evans, Billy Gilman, Brantley Gilbert and more!  It is such an honor to have a chance to get a look into her writing. I think you will enjoy it as much as I did……check out the interview below….

1. You are based in Nashville now, where did you grow up?

I grew up in Texas. Most of the years were in East Texas in the Nacogdoches area and then several years in the Austin area. LOVE Austin.

2. When did you start writing songs? Did you always want to be a writer?

I wrote my first song for church around 15. I was listening to a lot of Townes Van Zandt and Elton John so I wanted to do what they were doing.

3. What were some of your influences when you started to write songs?

Townes Van Zandt, Elton John, Bernie Taupin, Willie Nelson, Stevie Nicks

4. Many people who visit my blog are new writers…How do you think your writing has changed since you started?

I grew up very insecure and unsure of the person I was in this world. My journey as a writer has helped me create and define who I am on this planet.

5. Were there any moments in your career that you said, “A Ha!” that’s what I need to do, or any times you really started to ‘get it.’

There are definitely those kinds of moments. It may be a new co-writer who brings something to the table that I have been really longing for. It could be a new way to create sounds. It could be a new tool like a new instrument. I started out writing everything on piano and the moment I got my first guitar was one of those moments. That opened up a whole new world in writing.

6. You give some workshops in Nashville…Do you see any common things that new writers do, or mistakes they make? Any tips on how to avoid it?

The most common mistake I see in new writers is they try to write for the “market” or for radio. If you are hearing something on the radio now… it was created 3-5 years ago or even longer. If you have your sights on what is out right now you are behind. You have to lean forward in your thinking. You have to have a vision for what WILL be on the radio in the next 3-5 years to be current. It is like showing up for a game three hours after it is over and wondering why you are losing.

The way to avoid being dated is to write the future. Create your own sound and make it as great as possible.

7. What do you feel makes a great song?

The first thing about a great song is the concept. If you have a very ordinary hook then try to find a different point of view. Say the same thing that has been said a million times but you have to say it differently. The melody has to be stunning!! An ordinary melody will never work to make you stand you out.

8. I think I read online you are or were a staff writer….What do you think the biggest challenge is when you are a staff writer? What did it teach you?

Being a staff writer taught me discipline. I get up every single day and write. I am very into having a schedule and sticking to it. I am not one to cancel appointments or move things around. I look at my month and set my writing schedule and stick to it. Being on a staff also teaches teamwork. It is so important to be a team player with the other writers. Getting along is very important in those settings.

9. Can you share any creativity or writing exercises that you use to come up with song ideas and stay fresh?

When I am feeling dull or out of ideas I watch a lot of movies and read a lot of books and listen to a lot of new music. It feeds me on a creative level.

10. What does your typical writing process look like?

I usually hold a guitar or sit at a piano and just bang around letting myself mumble vowel sounds and feel how the phrasing sounds. Then I try to figure out what kind of mood I am in. Am I angry, hurt, sad… ? The texture of a song starts from somewhere inside of me that I can’t explain. I have to sing and write lyric at the same time. I think of these sessions as brainstorming sessions and when I have an idea ready I record it and usually save it for a co-writer. I also choose what co-writer to play each idea. Not every idea fits every co-writer. When I pull out an idea and then we write it we make a worktape. If we still love the song in a couple of weeks I then work on the track and get it recorded, sung and mixed. Then it goes out to the creative person who pitches my catalog. Hopefully the next step is getting good response from producers, managers, artists or whoever will listen.

11. Are you a finish one song at a time writer, or a writer who has many songs in the works?

I have as many as 20 songs going at any given time.

12. How long does it take to finish a song, on average?

I am a pretty slow writer and it usually takes me a couple of weeks to feel comfortable with all the lyric and melody and the structure of the song.

13. A song you wrote with Katrina Elam and Hunter Hayes is , “Love Makes Me.” This song is a great example of how writers should use prosody and contrast. Those two things keep listeners interested in the song. From the first line, “put the needle down”…..the way the melody drops is great prosody between the music and lyrics. †In the verses, there are lower, faster notes in an almost “verse refrain” format with the “Makes me feel good” line at the end of each section. Then the prechorus has slightly longer, less rhythmic notes that build in pitch…up to the chorus which has a melody that walks down then back up in an almost quarter note pattern. Lyrically in the first verses, you state things that the singer (Hunter) is doing….then in the prechorus you compare it to other less risky things….then in the Chorus you hit the big WHY of it all. Why does he do those things….”Love Makes Me.” Builds in a payoff and the chords change at the chorus and it “feels good” ….like it is coming home.
Each section contrasts with the other in rhyme scheme, †melody, harmony, and lyrical content. Are these conscious decisions that you make when you write? Do you think like that when you write?

Absolutely. The lyric phrasing and rhythm should change in each section. The melody has to change between verse and chorus or else the song is all the same. I try not to change TOO drastically or too much because the song has to fit together like a puzzle and make one picture.

14. How did ‘Love Makes Me’ come about? What was the process?

First of all the three of us, Hunter, Katrina and myself have been writing together for about 4-5 years. From the first writing session we just hit it off. I love what they both do and they haven’t kicked me out yet. We all do something different. On LOVE MAKES ME Hunter started playing a guitar riff and Katrina started singing a melody and I came in with some lyric ideas. When we started down the LOVE MAKES ME road I felt it was a little bit ordinary so I pushed us to have some awkward and unusual lyrics to off set it being too ordinary. Hunter and Katrina are BOTH amazing lyric people as well. The three of us just fit together. Every single song we have written are in my top favorite songs in my whole career.

15. How often do you write?

I am in a little bit of a down time right now but usually I write 3 days a week at least. Right now I am writing about 2 days a week because I am working on some other things that need my attention. The first 14 years of my career I wrote 4-5 days a week. I may go back to that some day but just not right now.

16. Let’s say a reader has an idea for a song. Maybe a title, or chorus. Can you share any tips on the process you would take to develop the song?


Decide if you have a good melody or lyric idea. If you feel you need a co-writer decide if you want someone who is stronger in melody or lyric. Finding a great co-writer is not easy. It is a very, very important part of this process of being a full-time commercial writer. Very few people can do all the parts necessary and do them to the level of excellence that they need to be successful.

17. What does rewriting usually look like for you?

I usually work on the lyric re-writes. I sit with the lyric and make sure all the syllables sit just right. Do all the lines makes sense and are all the lines absolutely necessary. There is no room in a 3:30 minute song for extra words. Each line has to be exact and perfect. If there are places in the melody that need help I usually ask my co-writer to “juice” a line or push some notes in a different place if they don’t seem to sit right.

18. When in the process do you start thinking about things like rhyme schemes, rhythms, number of lines, modulations, etc?

I think about those things as I am writing from the start. I don’t use modulations very often but sometimes that is just the right thing to kick a melody into a higher gear and make it work.

19. You have written hit songs, do you still find yourself growing…..or better yet, we would all like to know if you still write just, “OK” songs. :)

I still write “ok” songs and I still write songs that are not worth the piece of paper they are on… in other words I write really BAD songs. I am always trying to work harder and smarter and grow as a writer. I still feel like I have so far to go. I have people I look up to like Hillary Lindsley and Dr. Luke and I am NOWHERE near where they are… so I keep pushing hard to get there someday.

20. Any final thoughts on songwriting and ways readers can grow as writers?

The best thing to do is to write and write and write!!! I also feel like a great writer has to be a reader. Reading great writing is so important. I also think it is very important to study music and what is working and where we are progressing in our musical tastes. I love to find a new artist or band and study what it is about them I love. Set up a disciplined schedule and stick to it. We all have things we believe we can accomplish but it all starts with just doing it. I am a perfectionist and it has hurt me through the years because I find myself in a place where I can’t just DO something because I want to wait until it is perfect. It is NEVER going to be perfect. I try to make my writing as honest and down the bone as I possibly can. Surround yourself with amazing writers and grow together. Don’t be afraid to spend time alone. Don’t let the fear of being alone keep you from spending time with your thoughts and let them develop in a very organic and real way. I spend many, many hours a week alone with no music or tv or anything on. It is absolutely quiet and I love it that way. The last thing is to really figure out if being a songwriter is what you MUST do with your life. If you are in it for the money or the fame or just to hang with people you like then you will not be happy doing it. You have to want to be a writer. There are many creative jobs out there so don’t make yourself be a songwriter if you are not a writer.

I just want to thank Bonnie again for taking time out to answer my questions. THANK YOU, Bonnie.

~~ Chad

Writing Songs if You Are Not a Musician

If you are a songwriter or singer, but not a musician, does that mean you are hosed if you want to write cool songs? NO!  If you can talk, and/or sing you can write songs! You do not have to be a musician to write some great stuff.  I think everyone has some singing ability, and pretty much everyone can talk….so you can definitely write lyrics and even melodies!  Sure, it could…..COULD be harder for people who are not musicians, but you have options…..

Options for people who want to write songs but don’t play an instrument:

1. Find someone DOES play an instrument. – You can collaborate with them in coming up with chords and melodies to your lyrics. If you both come up with words and melody, you both own the song. If you write the words and they do the music….you both own the song.

2. Write to Karaoke tracks of songs you don’t know – Yes, that is right! Use other song tracks….BUT make sure you do not know the song that you are using. You do not want to copy the melody or lyrics.  Basically songs without the melody and lyrics are just chord progressions, and you cannot copyright chord progressions, so you can use them for your song! This is a great way for singers who want to write songs, but don’t have access to musicians.  You can’t use the same recording, but if you do ever want to cut a demo of your song, you can have the studio use the same chord progressions., and BAM you have an original song!  Look on Spotify and Youtube for tracks. Pick songs you have never heard. Write your own words and melody to the tracks. Again, DO NOT use the same melodies and lyrics…

3. Hire demo studios that put your words to music – Maybe you wrote some lyrics, and just want someone else to put them to music. There are many demo studios that do this. Some will want part ownership of the songs, some will do it as a work-for-hire and you would own the song at the end. Make sure they have an agreement that you sign that specifies who owns what at the end.  I put client’s words to music quite a bit. Email me for the details on doing a demo with C-Sharp Productions.

See….just because you don’t play an instrument doesn’t mean you’re screwed when it comes to songwriting.

~ Chad

Email me if you have a song you would like me to critique…